Wednesday, July 31, 2019
History of Drama
History of Drama * Spanish Period 1. Tibag * ââ¬Å"to excavateâ⬠* St. Helenaââ¬â¢s search for the cross 2. Lagaylay ââ¬â Pilarenos of Sorsogon get together during Maytime 3. Cenaculo ââ¬â passion and death of Christ a. Cantada ââ¬â chanted like pasion b. Hablada ââ¬â rhythmic measure of words in a deliberate manner * Spanish Period 4. Panunuluyan ââ¬â Mary & Joseph searching for refuge before Christââ¬â¢s birth ââ¬â presented before 12mn on Christmas eve 5. Salubong ââ¬â during easter (Mary meets risen Christ) 6. Carillo (shadow play) ââ¬â form of entertainment performed during a moonless night or a dark night after a harvest 7.Zarzuela ââ¬â 1st Philippine drama. Musical comedy or melodrama. Has 3 acts of manââ¬â¢s passion & emotion (love, hate, revenge, cruelty, avarice or social/political problems) 8. Sainete ââ¬â short musical comedy (18th century) ââ¬â exaggerated comedies performed by characters from lower class family (indio) ââ¬â theme: taken from everyday life scenarios * American Period 1. Severino Reyes ââ¬â father of Tagalog drama ââ¬â Walang Sugat 2. Aurelio Tolentino ââ¬â a Kapampangan dramatist * Luhang Tagalog = masterpiece * Kahapon, Ngayon, at Bukas = resulted to his incarceration 3.Hermogenes Ilagan ââ¬â from Central Luzon ââ¬â he founded the group Campana Ilagan *Severino Reyes and Hermogenes Ilagan started the movement against the moro-moro (play against muslims) * Japanese Period * Characterized by stage shows because movie houses were closed *organization of Filipino players (Dramatic Filipinos) 1. Jose Ma. Hernandez ââ¬â Panday Pira 2. Francisco Soc Rodrigo ââ¬â Sa Pula sa Puti 3. Clodualdo del Mundo ââ¬â Bulaga 4. Julian Cruz Balmaceda * Sino ba Kayo? * Dahil sa Anak * Higante ng Patay * Period of New Society (Modern) reviving old plays/dramas 1977 ââ¬â Tales of Manuvu (new style of rock of the ballad opera) ââ¬â Performed by Celeste L egaspi, Lea Navarro, Hadji Alejandro, Boy Canara, Anthony Castello & Rey Dizon ââ¬â choreographed by Atic Reyes Sining Embayoka (CCP) ââ¬â from Mindanao State University *Development of play 1. PETA (Philippine Educational Theater Association) ââ¬â Cecille Guidote & Lino Brocka 2. Repertory Philippines ââ¬â Rebecca Godines & Zenaida Amador 3. UP Repertory ââ¬â Behn Cervantes 4. Teatro Filipino ââ¬â Rolando Tinio
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